feat(saman-skills): tonal card families, headline bar, and a name scrub

Studied a set of competitor sheets in her actual niche (dense pastel reference
graphics, not the tool-chrome and GTM-diagram work benchmarked earlier) and
brought across the craft that makes them read as designed rather than
assembled.

TONAL FAMILIES replace the flat pastel fills. Five hues, three values each:
fill, a border one step deeper in the same hue, and a title tone. A card takes
all three from one family. The 2px tonal border is the single move that
separates a considered pastel sheet from a generic one — a pastel card with a
grey hairline reads cheap. Every title tone clears 4.5:1 on its own fill, so a
coloured card title is hierarchy rather than decoration.

Also adds the headline bar (H5) as an alternative to the inline pill for when
the whole second line is the claim, and the dense tile (C6) for save-and-zoom
reference sheets. Pill or bar, never both.

Her spine stays the signature. The competitor set has no structural line at
all, which is exactly why hers is worth keeping — the craft is borrowed, the
shape is not.

NAME SCRUB: no other creator is named anywhere in the shipped files. The two
laws that referenced one by name now describe the thing being avoided instead,
which is what they were always about. Verified by scanning every text file
inside the built zips.

Both templates repainted and re-verified end to end from a clean-room extract:
10/10 grey gate, autofix clean, 2160x2700 static, GIF and MP4.

Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_0187zcyEaMFy8EeQnT1MPYpY

Author: claude

saman-skills/bundles/saman-brand.skill

@@ -37,24 +37,35 @@ sheet instead of a busy one.
 | **Bright** | `#F2506A` | node rings, the closing figure. The only thing that grabs. |
 | **Bright-deep** | `#B0243C` | chip text and small emphasis, where `Bright` would be too light to read. |
 
-**SOFT FILLS — the pastel family. Card backgrounds only.**
+**SOFT FAMILIES — five hues, three values each. Cards only.**
 
-| Token | Hex | |
-|---|---|---|
-| `--p1` | `#FFE4DE` | peach |
-| `--p2` | `#FFF2D6` | cream |
-| `--p3` | `#FFE9F3` | rose |
-| `--p4` | `#F4EBFF` | orchid |
-| `--p5` | `#E3F2FD` | pale sky — Material Blue 50, her own blue's family |
+| Family | fill | edge (border) | name (title) |
+|---|---|---|---|
+| peach | `#FFE4DE` | `#F6C0B4` | `#B23F1E` |
+| cream | `#FFF2D6` | `#F0D592` | `#8A5A00` |
+| rose | `#FFE9F3` | `#F4BFD8` | `#A81E68` |
+| orchid | `#F4EBFF` | `#D7C2F4` | `#5A2C9E` |
+| sky | `#E3F2FD` | `#B4D8F4` | `#0D47A1` |
+
+Cards rotate through the families down a sheet. **A card is always all three values from ONE
+family** — fill, its own border, its own title colour. Mixing families inside a card is what
+makes a pastel sheet look assembled rather than designed.
+
+**The tonal border is the craft move.** A pastel card with a grey hairline reads cheap. The
+same card bordered 2px in a deeper tone of its own hue reads considered. It is one CSS value
+and it is most of the difference between a good pastel sheet and a generic one.
+
+Every title tone clears 4.5:1 on its own fill, so a coloured card title is genuinely readable
+— it is hierarchy, not decoration.
 
-Cards rotate through the fills down a sheet. They are pale on purpose: at this value they
-read as **one family**, so the sheet counts as five colours, not ten. Saturate one and the
-count breaks.
+The fills stay pale on purpose: at this value the five read as **one family**, so a sheet
+counts as five colours, not fifteen. Saturate one fill and the count breaks.
 
-**The three rules that hold it together:**
+**The four rules that hold it together:**
 1. Bright never fills a card.
-2. A pastel never carries text and never touches the spine.
+2. A fill never carries body text and never touches the spine.
 3. Blue never leaves the spine.
+4. One family per card. Fill, edge and name always match.
 
 *(Her blue `#90CAF8` is Material Blue 200 — one digit from `#90CAF9`. That is why the Blue-50
 pale sky belongs in the fill set: it is literally her own colour's family.)*
@@ -305,8 +316,9 @@ These exist because each one is a specific way a sheet stops being hers.
 
 **Not somebody else's system**
 11. **No Object Frame.** The sheet is never drawn as a physical object — not a phone, a
-    folder, a receipt, a terminal window, a notebook. That is Ayan's signature and it is the
-    single fastest way to make her look derivative. Her sheet is a *line*, not a *thing*.
+    folder, a receipt, a terminal window, a notebook. That device already belongs to a large
+    account in an adjacent niche, and borrowing it is the fastest way to look derivative.
+    Her sheet is a *line*, not a *thing*.
 12. No terracotta, no orange, no deep navy ground pretending to be Ink. Her Ink is `#051D2F`
     and it is used sparingly on light, not as a dark canvas by default.
 13. No brand-coloured Pill Word in Blue — hers is Ink, and that inversion is the point.

saman-skills/bundles/saman-craft.skill

@@ -31,12 +31,15 @@ needs a colour that is not here, the sheet is wrong.
   --bright:      #F2506A;   /* node rings, the closing figure               */
   --bright-deep: #B0243C;   /* chip text, small emphasis (4.5:1 on --p1)    */
 
-  /* ---- SOFT FILLS: the pastel family. Card backgrounds only ---- */
-  --p1: #FFE4DE;   /* peach   */
-  --p2: #FFF2D6;   /* cream   */
-  --p3: #FFE9F3;   /* rose    */
-  --p4: #F4EBFF;   /* orchid  */
-  --p5: #E3F2FD;   /* pale sky (Material Blue 50 — her blue's own family)   */
+  /* ---- SOFT FAMILIES: five hues, three values each ----
+     fill = the card · edge = its border, same hue deeper · name = its title.
+     A card is always all three from ONE family. Mixing families inside a card
+     is what makes a pastel sheet look assembled rather than designed.        */
+  --p1: #FFE4DE;  --e1: #F6C0B4;  --n1: #B23F1E;   /* peach  */
+  --p2: #FFF2D6;  --e2: #F0D592;  --n2: #8A5A00;   /* cream  */
+  --p3: #FFE9F3;  --e3: #F4BFD8;  --n3: #A81E68;   /* rose   */
+  --p4: #F4EBFF;  --e4: #D7C2F4;  --n4: #5A2C9E;   /* orchid */
+  --p5: #E3F2FD;  --e5: #B4D8F4;  --n5: #0D47A1;   /* sky — Material Blue 50/900 */
 
   /* ---- the only shadow ---- */
   --shadow:    0 2px 10px rgba(5,29,47,.07);
@@ -102,10 +105,20 @@ LOCKED           Sky #EBF6FF      Blue #90CAF8     Ink #051D2F
 BRIGHT           #F2506A          #B0243C
    points          rings, figure    chip text
 
-SOFT FILLS       #FFE4DE  #FFF2D6  #FFE9F3  #F4EBFF  #E3F2FD
-   card backgrounds only, never text, never the spine
+SOFT FAMILIES    peach    cream    rose     orchid   sky
+   fill            #FFE4DE  #FFF2D6  #FFE9F3  #F4EBFF  #E3F2FD   card background
+   edge            #F6C0B4  #F0D592  #F4BFD8  #D7C2F4  #B4D8F4   its border
+   name            #B23F1E  #8A5A00  #A81E68  #5A2C9E  #0D47A1   its card title
 ```
 
+**The tonal border is what makes it look designed.** A pastel card with a neutral grey
+hairline reads cheap; the same card bordered in a deeper tone of its own hue reads considered.
+It costs one CSS value and it is the single biggest difference between a good pastel sheet and
+a generic one.
+
+Every title tone clears 4.5:1 on its own fill, so a coloured card title is fully readable —
+it is not decoration.
+
 **Counting colours.** The craft benchmark for this kind of sheet is 5–7 colours. Hers reads as
 five: ground, type, spine, bright, and the pastel family — because the five fills sit at the
 same value and register as one family, not five decisions. That only holds while they stay
@@ -123,6 +136,20 @@ leaves the spine. That separation is what keeps ten named colours reading as fiv
 
 Exactly one per sheet, in the headline only.
 
+## The headline bar — an alternative to the inline pill
+
+A full-width Ink bar carrying the second line of the headline in `--sky` caps. Heavier than
+the inline pill and it holds a longer phrase.
+
+```css
+.h1bar{display:inline-block; background:var(--ink); color:var(--sky);
+       border-radius:var(--r-card); padding:.06em .28em; letter-spacing:-.02em}
+```
+
+**Pill or bar, never both.** They are two answers to the same question, and a sheet that uses
+both has decided nothing. The bar suits a two-line headline where the whole second line is the
+claim; the pill suits one word inside a flowing line.
+
 ## The spine
 
 One SVG path in a layer behind the cards.
@@ -157,13 +184,21 @@ stay neutral (dense tables, a matrix) and the pastels when the sheet wants warmt
 
 ```css
 .card{background:var(--p1); border-radius:var(--r-card);
-      border:var(--w-hair) solid rgba(5,29,47,.07);
+      border:2px solid var(--e1);          /* 2px, tonal — not a grey hairline */
       box-shadow:var(--shadow); padding:var(--s5)}
-.rail > .card:nth-of-type(1){background:var(--p1)}
-.rail > .card:nth-of-type(2){background:var(--p2)}
-.rail > .card:nth-of-type(3){background:var(--p3)}
-.rail > .card:nth-of-type(4){background:var(--p4)}
-.rail > .card:nth-of-type(5){background:var(--p5)}
+.card .ctitle{color:var(--n1)}
+
+/* one family per card, all three values together */
+.rail > .card:nth-of-type(1){background:var(--p1);border-color:var(--e1)}
+.rail > .card:nth-of-type(1) .ctitle{color:var(--n1)}
+.rail > .card:nth-of-type(2){background:var(--p2);border-color:var(--e2)}
+.rail > .card:nth-of-type(2) .ctitle{color:var(--n2)}
+.rail > .card:nth-of-type(3){background:var(--p3);border-color:var(--e3)}
+.rail > .card:nth-of-type(3) .ctitle{color:var(--n3)}
+.rail > .card:nth-of-type(4){background:var(--p4);border-color:var(--e4)}
+.rail > .card:nth-of-type(4) .ctitle{color:var(--n4)}
+.rail > .card:nth-of-type(5){background:var(--p5);border-color:var(--e5)}
+.rail > .card:nth-of-type(5) .ctitle{color:var(--n5)}
 
 /* BRIGHT does the pointing, and only these three things */
 .node{border-color:var(--bright)}

saman-skills/bundles/saman-design.skill

@@ -10,7 +10,7 @@ Pick one variant per component per sheet. Do not mix two card styles on one shee
 
 ---
 
-## Headers — 4 variants
+## Headers — 5 variants
 
 **H1 · Stacked** *(default)*
 Headline, then deck under it. Full width. Nothing else.
@@ -28,13 +28,19 @@ Headline, deck, then a label row that names the two sides.
 A `.seclab` eyebrow above the headline ("THE FRIDAY PROBLEM"), then headline, then deck.
 → Use when the topic needs one line of framing before the claim lands.
 
+**H5 · Headline bar**
+Line one plain Ink, line two inside a full-width Ink bar in `--sky` caps.
+→ Use when the whole second line is the claim, not one word of it. Heavier and more
+declarative than the inline pill. **Pill or bar, never both on one sheet.**
+
 ---
 
-## Cards — 5 variants
+## Cards — 6 variants
 
-**C1 · Warm fill** *(default)*
-Pastel background rotating through `--p1`…`--p5`, hairline at 7% Ink, soft shadow.
-→ The workhorse. Warm, readable, unmistakably hers.
+**C1 · Tonal family** *(default)*
+Pastel fill, 2px border in the same hue one step deeper, card title in that family's name
+tone, soft shadow. Cards rotate through the five families down the sheet.
+→ The workhorse, and the variant that carries most of the craft.
 
 **C2 · Neutral**
 `--paper` fill, `--blue-pale` hairline.
@@ -49,9 +55,15 @@ Pastel background rotating through `--p1`…`--p5`, hairline at 7% Ink, soft sha
 → The closer. Never more than one.
 
 **C5 · Split card**
-Warm fill, with a `--sky-deep` strip down the right third holding a figure or a before-value.
+Tonal fill, with a strip down the right third in the same family's edge tone, holding a figure
+or a before-value.
 → Use when every card carries a number worth isolating.
 
+**C6 · Dense tile**
+Tonal family card at half height, no body copy — title plus one line. Six to nine in a grid.
+→ For a reference sheet people will save and zoom. Density is the point; keep the tonal
+borders or it turns into a wall.
+
 ---
 
 ## Node styles — 3 variants
@@ -121,7 +133,7 @@ Ink block, one instruction and a time box: "Start with #2. Twenty minutes."
 | Big-number sheet | H2 | C1 | N1 | P3 | X2 |
 | Manual vs system | H3 | C3 + C1 | N2 | P2 | X1 |
 | Step-by-step setup | H4 | C1 | N1 | P1 | X4 |
-| Dense reference | H1 | C2 | N1 | P2 | X3 |
+| Dense reference | H5 | C6 | N1 | P2 | X3 |
 | Hard truth (Ink canvas) | H4 | C1 | N2 | P3 | X3 |
 
 ---

saman-skills/saman-brand.zip

@@ -111,8 +111,8 @@ The short version — any of these is an automatic fail:
 7. Emoji anywhere on the canvas
 8. A headline that could sit on anyone's sheet ("Powerful AI Tools You Should Know")
 9. Centre-aligned body text
-10. **Anything that looks like Ayan's system** — an Object Frame, terracotta, a drawn physical
-    object. Her sheet is a line, not a thing.
+10. **Anything that reads as a neighbouring account's system** — an Object Frame, terracotta,
+    a drawn physical object. Her sheet is a line, not a thing.
 
 ---
 

saman-skills/saman-brand/SKILL.md

@@ -62,10 +62,11 @@ the headline still fits, it is not a headline yet.
 **Why:** ragged left edges destroy the scan, which is the only thing a cheatsheet is for.
 **Fix:** left-align everything except a single figure in a closer.
 
-### 10. Nothing that looks like Ayan's system
+### 10. Nothing that reads as a neighbouring account's system
 **Fail:** an Object Frame (the sheet drawn as a phone, a folder, a terminal, a receipt),
 terracotta or orange, a navy ground by default, a brand-coloured pill word.
-**Why:** it is the fastest way to make her look derivative of a bigger account in the same niche.
+**Why:** each of those is the signature of a larger account in an adjacent niche. Borrowing one
+makes her look derivative of the thing she is competing with.
 **Fix:** her sheet is a **line**, not a **thing**. Her pill is Ink on light, and that inversion
 is deliberate.